KMU-2 Portrait Teaser
Vertical campaign format
A closer look at the editorial structure, pacing and colour finishing behind a Knight Frank round-table trailer and its supporting interview content.
The source material centers on a multi-speaker round-table and interview-led story. The post challenge was to find a strong editorial spine, keep the information clear and create enough momentum for a trailer format without making the conversation feel rushed.
I treated dialogue selection, speaker changes, music, room tone and visual pacing as one system. The cut needed to feel corporate and controlled, while still having enough movement and personality to hold attention.
The finishing pass focused on balancing the room, maintaining natural skin tones and keeping contrast consistent across the conversation. The goal was a clean, confident image that supported the brand rather than calling attention to the grade itself.
The timeline shows the practical side of the job: dialogue, picture, music and finishing decisions layered into a compact trailer structure.
The sequence was organized around speaker clarity and momentum, then refined through shot changes, audio timing and supporting visual beats.
Colour was used as finishing, not decoration — preserving natural skin, room detail and consistency across the round-table material.
The node-based grade was built to balance exposure and colour relationships while keeping the overall look professional and understated.
The archive shows the Knight Frank work extending beyond a single trailer into portrait and individual interview deliverables.
Vertical campaign format
Knight Frank
Knight Frank
Knight Frank
Landscape trailer / final film
The final presentation demonstrates how one core production can be shaped into multiple outputs while maintaining consistent editorial language and finish across the campaign.
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